The Story

“End? No, the journey doesn’t end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. White shores, and beyond, a far green country under a swift sunrise.”

J.R.R. Tolkien, The Lord of the Rings”

The story of C&S Tools is not one of a business looking for products to sell, or of a manufacturer looking for buyers, but of craftsmen looking for better tools.

The Education

Your humble servant has lived and worked in Japan for many years, and learned about Japanese woodworking and Japanese tools from serious professional craftsmen called “shokunin.” They included primarily carpenters and joiners, gentlemen that worked everyday with their hands and tools, were obsessed with the quality of the products they produced, their production efficiency, and being Japanese, the performance of their tools.

These crusty gentlemen influenced me to seek out the best handmade woodworking tools available, including chisels, planes and saws because better tools help one perform better work more productively while making the job more pleasant. I am still absolutely convinced this is true.

I bought many different brands of tools back in the 1980’s and tested them. I sneaked peeks and asked craftsmen who’s skill and work impressed me what brands of chisels, planes, saws, knives and marking gauges they used. After years of trying various brands, in the end, I concluded that Kiyotada and Ichihiro made the best chisels and Yokozaka Masato made the best plane blades available at the time. Over the next ten years, I disposed of my other chisels and planes and built up sets of chisels and planes by these blacksmiths. This was long before the Kezourakai effect warped the market.

It took a while and cost a bit of cashy money, but it was an education worth gaining.

The Move

My work has required me to move many times. In 2009 I was transferred back to Tokyo from Southern California, but the moving company employed mistakenly placed all of my chisels and planes in storage in the US instead of shipping them with me to Tokyo, so for several years I did not have access to them.

I no longer use my tools to put bread on the table and rice in the bowl, but still enjoy woodworking as both hobby and therapy to help maintain my sanity, so life in Tokyo without my tools was lacking something important. I began to fidget!

I tried to purchase a few replacement tools by Kiyotada, Ichihiro, and Yokozaka but found they were no longer available new, and because of the Kezuroukai effect, even used ones had doubled in price. Only Yokozaka-san was still alive, but once again, the Kezuroukai effect resulted in long waiting lists and inflated prices for his planes.

Disappointment & Betrayal

I eventually purchased a 10-piece set of mentori oiirenomi bench chisels from a Tokyo retailer I trusted under the brandname Kiyohisa because, while the retailer warned that Kiyohisa’s products were nowhere near as good as Kiyotada or Ichihiro, he insisted that the Kiyohisa brand was as good “as it gets” anymore. They were shockingly expensive.

Sadly, I discovered the Kiyohisa chisels I had purchased to be not only inferior to Kiyotada’s products, but to compare poorly with even cheapo tools, with some blades chipping unduly, others rolling their edges, and still others with poorly-performing differentially-hardened cutting edges. Absolutely hopeless. I was irate.

I demanded a refund from the retailer who responded that Kiyohisa products did not have a warranty. I since learned that this blacksmith (RIP) did not warrant any of this products. As you can imagine I lost faith in that retailer’s opinion and the products they sell. You can probably imagine my opinion of the Kiyohisa blacksmith as a human too, so I won’t inflict you with the rant.

Testing

At this point I was thoroughly frustrated with my fidget escalating to a facial tic, so I compulsively procured many different (but by no means all) famous brandname chisels and tested them to destruction. The standard against which I compared them was the excellent Kiyotada products forged by Shimamura Kosaburo, a blacksmith who was at one time lauded by metallurgists as being the best chisel blacksmith in Japan. I have yet to find a better chisel, but I tried.

The testing criteria were initial sharpness, durability (resistance to cracking and chipping) and edge retention ability.

The testing process I employed was to sharpen each 24mm chisel’s blade to 10,000 grit, and cut mortises in a Japanese hardwood called Keyaki (zelkova wood). I would abuse each chisel to determine how tough it was, and examine the edge after cutting each mortise. If the edge rolled or dented (and many did), then I knew it was too soft and rejected it. But if it chipped, broke, or performed well, I took it to the next step where I re-sharpened it and continued to cut mortises until the edge chipped or dulled. I rejected those chisels that readily chipped or quickly dulled. Most of the newly-produced chisels proved to be too soft, failing these comparative tests utterly.

It was an expensive process but I learned an important lesson, namely, that brandname has nothing to do with quality or performance; The true source of quality and performance in edged tools is rather the blacksmith himself, his experience, skill, and rock-solid dedication to quality. Sadly, this common-sense logic is not applicable to mass-produced products.

The Value of Brandnames

The key point I want Beloved Customers and Gentle Readers to take away from this story is the fact that most “brandnames” are owned by wholesalers and retailers, not the craftsmen that produce the tools. Most brands, therefore, are no more than marks stamped onto products, which are then sold to faceless “markets” that have no direct voice. Blacksmiths, on the other hand, sell to “customers” that give them direct feedback.

Right about now astute Beloved Customers and Gentle Readers are no doubt saying to themselves “Aha! But the wholesalers and retailers are still customers. Forsooth! Is their opinion of no account?”

As always, Beloved Customer has hit on an important difference to which I am compelled to provide a distinction. To whit, wholesalers and retailers are, with few exceptions, logistics dudes and shopkeepers to whom a hard day’s work entails ordering and stocking products, packaging boxes and writing labels, not producing timber frames, cabinets, or furniture. Most have never used a tool in the field or workshop professionally. Accordingly, while many talk marketing fluently, their only source of feedback is the volume of sales and product defects complaints received from their customers. Their focus, therefore, is on moving volume at the highest possible profit margin, not making sawdust. In short, lacking hands-on experience and motivating feedback from demanding foremen or Clients, their ability to differentiate quality and performance from one brand to another is like the proverbial fundament and elbow.

To make things worse, overseas retailers selling to poorly-informed consumers with expectations as a low as an earthworm’s watch pocket, and fearing the maniacle machinations of American product liability lawyers, seldom provide any meaningful warranty for the products they sell, nor do the wholesalers they purchase from, so consumer complaints neither trickle-down to, nor impact the bottom line of, manufacturers in Japan.

Oops, that almost turned into a rant! But I digress. Back to the point of the story.

Wholesalers and retailers ignore feedback so long as product keeps moving. If a particular brandname stops selling, they change the brandname and dress the product up in a different color miniskirt, battery-powered pushup bra and sequined hooker heels and send it back out to the street corner, so to speak. Thus it has always been.

But the blacksmith has only his reputation, a precious thing, especially in Japan that, once lost, cannot be recovered with a fresh hairdo and a new undies.

Accordingly, the quality and performance of a blacksmith’s products directly impact his personal reputation, self-respect, and long-term income, as illustrated by the example mentioned above, whereas most wholesalers and retailers have little at stake.

If a tool wholesaler’s primary market is amateurs located in far-flung countries outside of Japan, then the fluid reputation of his brandnames, inflated by clever marketing, have much greater influence on his profits than blade quality. Indeed, few amateurs in any country know how to properly use and maintain professional-grade chisels anymore.

Even in Japan, amateurs carelessly damage quality blades blaming their failure on the blacksmith. Therefore, when marketing exclusively to inexperienced amateurs either domestically or internationally, the wholesaler’s surest path to profitability is to sell purty-lookin mass-produced blades with a high profit margin that are softer and more resistant to damage than blades intended exclusively for professional woodworkers. Therefore, blades sold primarily to amateurs overseas do not need to be hand-forged from the best materials but can be mass-produced using less-expensive steel at lower cost resulting in higher profits. And since the brandname is fluid and can be easily repaired through marketing, quality is of little consequence.

That is the Miki way of doing business, very much in the style of MacDonalds. Do you like kangaroo meat?

The Quest

I learned an expensive lesson during this first phase of buying chisels and planes and destroying their blades, namely that most of the famous brandname products available on the market at the time all looked mahvelous dahling, absolutely mahvelous, but despite reputation and hype had inefficent, soft blades made with little skill. And so with lighter pockets and heavier wisdom I next went looking for real live blacksmiths producing in more traditional ways instead of mass-produced famous brand-names.

I focused on traditional blacksmiths unaffiliated with the large wholesalers, working in small smithies who continued to produce chisels and planes for professionals using traditional blacksmithing techniques, and did not stoop to mass-production. I had set myself a time consuming challenge that couldn’t be accomplished using the internet or telephone alone. Indeed, these craftsmen don’t own computers, mobile phones or even fax machines. You remember those, right?

During the next phase I bought more chisels and planes and ruthlessly damaged more blades. I spent weekends on trains going all over Japan visiting woodworkers and blacksmiths, inspecting forges, and checking QC techniques and steel stockpiles. At last I found 3 chisel blacksmiths and one plane blacksmith that consistently produced only the professional-grade tools I wanted with real-world performance approaching that of Kiyotada, Ichihiro, and Yokozaka. They didn’t make the prettiest blades, and certainly didn’t charge like prima donnas, but their blades all cut like crazy and kept cutting a long time without dulling or chipping.

I should add that Kiyotada, Ichihiro, and Yokozaka’s tools were expensive even when they were alive and producing daily. But since the tools I was seeking were to be secondary, perhaps temporary tools, I was willing to sacrifice appearance for lower cost on condition that the blades satisfied my performance criteria for sharpness, durability, and ease of shapening.

The Business

During this process I was in communication with professional woodworker friends in the US that know how to use and maintain Japanese planes and chisels. I told them of my adventures and even sent them some of the tools I found to try. After testing the tools they too wanted some. Word of mouth spread and one thing lead to another.

I have a day job, so C&S Tools is not focused on maximizing profits. We sell our tools for the standard retail price in Japan plus online transaction fees without a gaijin or export markup. It’s more an excuse to spend time with the Japanese blacksmiths and other honest craftsmen I respect than a cash cow.

Unfortunately, our blacksmiths are not getting younger. Some have retired. The rest are in their late 70’s and 80’s. Production will not continue much longer, so if you are looking for professional-grade chisels and planes at a reasonable price, as I was, then don’t wait too long. No one knows when the “grey rain-curtain of this world will roll back and all will turn to silver glass,” as the old wizard put it.

Until then I have the honor to remain,

Your Most Humble and Obedient Servant.

If you have questions or would like to learn more about our tools, please click the “Pricelist” link here or at the top of the page and use the “Contact Us” form located immediately below.

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